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“Going intoBlackbird, there was a lot of fear. After crafting the songsin his usual basement domain, Shomo made the trip from the familiar comfort of hisequipment and isolation in Ohio to Blackbird in Nashville.“When I make a record at home, I feel really safe there,” Shomo confesses. To furtherenhance the emotional realism Beartooth champions, the third full-length album wastracked in a brand new environment, with an old-school urgency. The title track was the first song written for it, setting the overall tone.As always, Shomo recorded vocals, guitars, bass, and drums, and mixed the albumhimself with assistance from an engineer, now with executive producer (and Grammywinner) Nick Raskulinecz, who has worked with Foo Fighters and Rush. At the end of the day, it is a very dark album.”Even as Shomo and his bandmates played to sold-out crowds across Europe, the battleagainst mental illness and childhood issues returned, and the seed for Disease wasplanted. It's like starting from the beginning allover again. It’s hard to process just how dark you can get, what youcan really put yourself through with expectations.
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It's about trying to even beginto learn how to deal with things. This record isn't about winning anything. “Crazy highs, crazy lows, andlots of intensity. This is music about survival.“The album is a whirlwind of emotion,” Shomo explains. While there are moments of positivity, this isn’t thesound of triumph. The Sick EP (2013),Disgusting (2014), and the sophomore-slump shattering Aggressive (2016) comprise ablunt audio journal, chronicling Shomo’s battles with his own demons.As Beartooth became a fully functioning band, bringing these intimate musings to themasses, that purity remained, via a consistently isolated creative methodology.The stark look inward further intensified with September 28, 2018’s Disease.The third full-length album from Beartooth is a painstaking, riff-driven examination ofthe unshakeable throes of depression.
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These are anthems for the downtrodden anddisconnected, celebrated with sing-alongs on international tours supporting Slipknot,Bring Me The Horizon, or Pierce The Veil on the Kerrang! Tour with Don Broco in theUK at major festivals like Download and Rock on the Range.What began as artistic self-medication for a single multi-instrumentalist and producer,with no career aspirations or grand plans, quickly caught fire. Songs like “In Between,” “Hated,” “The Lines,” and “Sick of Me” have beenstreamed hundreds of millions of times. The music he’s crafted in hisdarkest hours transcends, connecting with the broken hearted and isolated around theglobe.
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Now, even as the band has grown to become a headliningfestival act cracked Billboard’s Top 25 lit up SiriusXM radio and were crownedBreakthrough Band at both the Metal Hammer Golden Gods Awards and LoudwireMusic Awards, Beartooth’s music and message remain intensely personal.The fierce dedication to honesty, authenticity, and raw fury demonstrated by CalebShomo is at the center of everything Beartooth represents. Conceived, constructed, and unleashed byone man in a basement studio. I felt like I was on cloud nine throughout the performance and the vocals from Henning were so soothing.Beartooth began as an emotional exorcism. It was pretty sweet! The crowd that night wasn't too cluttered, so we had enough room to dance in symphony with the music. The crowd sang in tune with Henning and he participated with the crowd in sing along. They also played a lot of material that was unreleased which was a nice surprise since it's music I've never heard of before from one of my favorite bands! The energy of their performance was low key but it was an amazing vibe. Everything about their set was just beautiful presented like the ambient purple light that shined down on the crew as they performed.ĭuring the gig they played a lot of their newer material including some of my favorite tracks like "Guiding Light", "The Letter", and "More Heat Than Light".
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They were very professional and well groomed that night wearing what you could call "business casual clothes". Last year I had the pleasure of seeing The Veils live during their benefit concert for the Red Cross.